Doseedo

{
  "id": "aix_955ece481c",
  "name": "Doseedo",
  "operator": "(unclaimed - source: registry-official · publisher: com.doseedo)",
  "description": "Convert projects between Logic, Ableton, FL Studio and REAPER; generate, separate, transcribe",
  "depth": 2,
  "status": "unclaimed",
  "last_crawled": "2026-11-10",
  "missing_fields": [
    "pricing",
    "operator.identity"
  ],
  "skills": [
    "invoice-parsing",
    "vector-search",
    "voicemail-transcribe"
  ],
  "protocols": {
    "mcp": "https://api.doseedo.com/mcp",
    "a2a": null
  },
  "pricing": null,
  "regions": [
    "global"
  ],
  "languages": [
    "en"
  ],
  "reputation": {
    "tasks_completed": null,
    "dispute_rate": null,
    "p95_latency_ms": 1675,
    "uptime_30d": 1,
    "onchain_volume_30d_usd": null
  },
  "aix_score": 50,
  "verification": {
    "identity": "none",
    "health": "probe/24h",
    "pricing": "unknown",
    "last_check": "2026-11-10T13:00:55.995Z"
  },
  "pricing_model": "unknown",
  "links": [
    {
      "label": "homepage",
      "url": "https://doseedo.com/"
    }
  ],
  "unreachable": false,
  "profile": {
    "mcp_server": "doseedo",
    "mcp_version": "0.22.0",
    "tool_count": 48,
    "tools": [
      {
        "name": "doseedo_generate_music",
        "description": "NOT A COMPOSER: doseedo plays music, it does not write it — YOU write the piece. Background music for a video or a brand film, an instrumental, a theme, a song: compose every part yourself as notes ([{pitch, start_beats, duration_beats, velocity}], beats from bar 1 — melody, harmony, bass, in the key and at the tempo you choose), then play them: doseedo_render_score {parts} for several instruments (one stem each, then doseedo_mix) or doseedo_render_midi for one; doseedo_instruments lists the players and their ranges; the steps: doseedo_recipes name=\"compose-piece\" (to picture: \"score-a-film\"; "
      },
      {
        "name": "doseedo_generate_sound",
        "description": "SOUND EFFECTS (SFX) from words with Stable Audio Open — SOUND DESIGN and FOLEY for game audio, apps and video: impacts, whooshes, door slams, footsteps, UI blips, creature and sci-fi sounds, ambiences (\"rain on a tin roof\", \"busy café\"), risers, drum one-shots. A one-shot hit (\"punchy house kick\", \"snare with a short room\", \"a riser into the drop\"), a loop on the tempo grid (\"glitchy percussion\"), or a texture (\"vinyl crackle\", \"rain\"). kind picks which (hit | loop | texture); omitted, the server reads it off the words. Don't put a tempo in a hit's prompt — tempo words make it write a loop. Wr"
      },
      {
        "name": "doseedo_cover_stem",
        "description": "TIMBRE TRANSFER (an instrument swap) from a recording: hum or whistle a melody, play it on a kazoo, take a guitar line — and get it back played by a cello, a trumpet, a koto (any doseedo_instruments call). Re-play ONE recorded part — a separated stem, a solo, a region of the user's session — on another instrument, straight from the audio: the recording's FSQ codes carry its structure into a take generated from noise, and the sound is the instrument's (caption + timbre_preset) — the FSQ + timbre combination the cond5 model was trained on (served on its turbo graft). No MIDI by default (midi:tru"
      },
      {
        "name": "doseedo_fill_gap",
        "description": "INPAINT (repair) a part: send ONE recorded part (a stem, a DAW track's audio) with a gap in it — the silence between two clips, a bar to redo, a dropout — and get it back with the gap PLAYED: the take before and after the gap is kept bit-exact (spliced back), and the gap is generated against both, so it continues out of what comes before and leads into what follows. What fills it is planned first (the DSP plane's extend planner, which hears the part): the take's own LOOP when it has one — the gap is seeded from its own passes at the matching bar phase, so a groove keeps turning — else a part w"
      },
      {
        "name": "doseedo_render_midi",
        "description": "MIDI to audio, a virtual instrument: plays a part you wrote. An AI instrument model (orchestral strings, brass, woodwinds, piano, guitar, bass, drums, World) performs your exact notes, in your key, at your bpm, and returns audio takes. Input ONE of: notes[] ({pitch, start_beats, duration_beats, velocity} — beats from bar 1), midi_url (a .mid ≤2 MiB: a doseedo result link or a public https URL), or session_id + track_id (that track's notes, read from the session). Required: instrument (an entry's `call` from doseedo_instruments, no key — stay inside its range) and bpm. The notes are sent AS GIV"
      },
      {
        "name": "doseedo_train_instrument",
        "description": "Make a CUSTOM INSTRUMENT in your own sound: upload 30 s–3 min of ONE instrument playing (your own player, a rare or folk instrument, a prepared/invented instrument, a vintage synth) and doseedo trains a private adapter (LoRA) on its serving instrument model in about 1–2 minutes. After that, doseedo_render_midi {instrument: <the same instrument>, lora_id} plays ANY notes you write in that sound. Several takes help (up to 8 files; the first 3 min are used, ≥8 s required); a clean, solo, dry recording works best. instrument = the closest catalog instrument — it picks the model voice the adapter t"
      },
      {
        "name": "doseedo_render_score",
        "description": "Plays a whole arrangement you wrote in one call — film scoring, orchestral arrangement, background music, a song or instrumental (a film cue, a string quartet, a big-band chart): each part played by its doseedo instrument, one stem per part from bar 1 at your tempo, plus a summed mix. Input ONE of: parts[] ({name, instrument, timbre_preset?, lora_id?, players?, notes[]} — doseedo_instruments calls), midi_url (multi-track SMF), or musicxml_url (notation played as marked, at concert pitch). A file's parts are matched by name, then GM program; name any part with instruments {\"<part name or index>"
      },
      {
        "name": "doseedo_mix",
        "description": "MIXING and MASTERING: each part levelled, panned, high-passed, given its depth on a shared reverb, and mastered to a loudness target — a WAV AND `mixgraph`, the mix as a document you edit. After doseedo_render_score pass from_job (its parts and the instruments they play are the stems); or stems: [{name, audio_url, instrument?}] (result links work as-is). An orchestra (strings / winds / brass / timpani / harp…) is SEATED by default (film-orchestral: violins left, low strings right, brass behind, each seat at its depth in a 2.3 s hall, written dynamics riding the faders); other stems get the bli"
      },
      {
        "name": "doseedo_session_from_stems",
        "description": "Build a native DAW PROJECT from stems: each stem on its own audio track from bar 1, optional MIDI tracks (the written parts) beside them, on your tempo (bpm or tempo_map) — Logic Pro (.logicx) or Ableton Live (.als), zipped. The deliverable after doseedo_render_score (pass from_job: its job_id and the stems, MIDI and tempo come from that job) or after any renders / separations you made (stems: [{name, audio_url}] — result links work as-is). After doseedo_mix add mix_job: each track at that mix's level and pan, the mix as a muted reference track. Async: job_id → doseedo_wait_task (~30–90 s) → f"
      },
      {
        "name": "doseedo_spot_video",
        "description": "SPOT A FILM: a video in, the music editor's cue sheet out — the first step of scoring to picture. Scene detection on EVERY frame, and it listens to the soundtrack (CPU, no credits): hard cuts frame-exact (dark, low-contrast footage included), fades, flashes and visual impacts; each shot's brightness, colour, warmth, contrast, motion and mood, with a keyframe JPEG per shot so you can SEE what it shows; SCENES — where the picture moves to a new place, at a cut or with none (a camera move, a dissolve) — each with its start, how it arrives, how fast the camera travels (pace) and a 640-px frame; an"
      },
      {
        "name": "doseedo_score_to_picture",
        "description": "SCORE TO PICTURE: the last step of scoring a film. Lays each mixed cue (and any sound effect) on the video at its SMPTE timecode, with dialogue ducking (the lines found on the video's own soundtrack by VAD, or the spans you pass; the music dips ahead of each line and comes back after it), normalises the program to a delivery loudness (web −16, streaming −14, broadcast/ebu −23, atsc −24 LUFS, or a number; true peak under the ceiling) and muxes it onto the picture untouched (no re-encode). Returns the scored video, the printmaster WAV and the music-and-effects stem, plus a report of what it MEAS"
      },
      {
        "name": "doseedo_reframe_video",
        "description": "REFRAME A VIDEO: the same video in another frame, for where it is posted — 9:16 (stories, reels, shorts), 4:5 (a feed post), 1:1 (square) or 16:9 (a landscape master). fit \"fit\" (default) keeps the whole picture, centred over a blurred fill of itself, so nothing is cut (captions at the top or bottom of a vertical ad stay); \"fill\" scales to cover the frame and centre-crops the rest (the report says how much of the picture is kept). The sound is kept as it is (a scored film's mix untouched). Up to 1080 px on the short side (never upscaled past the source's), H.264 MP4. A video already in that fr"
      },
      {
        "name": "doseedo_cover_song",
        "description": "AI COVER / style transfer of a whole song: re-render an uploaded song as a cover, keeping its structure/melody while changing timbre, instruments, or lyrics. INSTRUMENT SWAP: instruments {\"piano\": \"electric_guitar\"} separates the song, transcribes the swapped stem and re-plays THOSE transcribed notes on the target instrument; by default only the swapped stem(s) are regenerated and every other stem passes through as the original separated audio (regen changes that). Because the swap replays a transcription, small note differences from the source are expected — verify from result.cover.instrumen"
      },
      {
        "name": "doseedo_separate_stems",
        "description": "STEM SEPARATION and VOCAL REMOVER: split an uploaded mix into stems (vocals, drums, bass, guitar, piano, other — or orchestral/auto-detected instruments) to isolate vocals (the vocals stem is the acapella; the other stems are the karaoke backing), with optional per-stem MIDI transcription and DAW-session export. Async: returns a job_id — poll with doseedo_wait_task (~2 minutes). Result: stems{name: url}, midi{name: url}, drum_substems{kick, snare, …} (drum_split), vocals_lyrics / vocals_notes, session_tracks + session_tempo_bpm when session_id was given, models_effective (what the auto family "
      },
      {
        "name": "doseedo_split_soundtrack",
        "description": "SPLIT A FILM'S SOUNDTRACK (dialogue / music / effects — \"DME\" — separation): the film's own audio into three stems that sum back to it, plus a report of what it holds: whether there is music already, where it plays (spans in seconds) and how much of the film it covers, where the dialogue is (cleaner than VAD on the full mix: a song's singer stays in the music stem), each part's level, and how far the music sits under the lines. Use it before scoring a film that already has music (soundtrack.stems.music.present): to REPLACE that music, lay the dialogue and effects stems under your score with do"
      },
      {
        "name": "doseedo_transcribe",
        "description": "AUDIO TO MIDI transcription: a melody, a bass line or a part as notes (pitch, onset/offset seconds, velocity, confidence as JSON — not a MIDI file; for .mid files per stem use doseedo_separate_stems with transcription or doseedo_audio_to_session). Works from an uploaded audio_key or an audio_url — any public https URL, including a result URL from another doseedo job (a generate take, a stem) as it was returned. Async: returns a job_id — poll with doseedo_wait_task (usually ~15–60s). For the KEY / tempo / chords of a whole mix use doseedo_analyze_song instead. Cancel: the plane has no stop for "
      },
      {
        "name": "doseedo_audio_to_session",
        "description": "Turn an uploaded full mix into a complete multitrack DAW session (separated stems as tracks, tempo map, optional per-stem MIDI and chord guide). The result is a downloadable session zip for Logic Pro or Ableton. Async: returns a job_id — poll with doseedo_wait_task (~4 minutes). Cancel: cooperative — the build stops at its next stage boundary and the build's sound-tool unit is refunded (a GPU separation already run stays charged)."
      },
      {
        "name": "doseedo_convert_project",
        "description": "DAW CONVERTER: a project rebuilt natively in the target: tracks, MIDI, audio clips, tempo and markers arrive editable (Logic/Ableton/Pro Tools/REAPER pairs also automation, buses/sends, plugin state; into FL 3rd-party plugins only). Sources: Logic .logicx, Ableton .als, FL Studio .flp, Pro Tools .ptx, REAPER .rpp, Cubase .cpr, Dorico .dorico/.musicxml, Studio One .song, GarageBand .band (SOURCE only — zip the .band package like a .logicx; a GarageBand 6 project must be re-saved in GarageBand 10), Bitwig = any .dawproject (Bitwig/Studio One/Cubase export it; a native .bwproject is refused — Fil"
      },
      {
        "name": "doseedo_analyze_song",
        "description": "Key detection, BPM/tempo detection, song structure and chords — musical analysis of a recording in one call: key (e.g. \"D minor\"), bpm + per-beat tempo_map, meter / beats_per_bar, downbeats (seconds), sections (intro/verse/chorus… with times), chords (a progression on the beat grid), dynamics, and cues: the pieces a recording holds (a film's temp: each piece's start, end, tempo, key and level). USE THIS to learn the key and tempo of a reference before writing a part — never guess or ask the user for what the audio already says. Pass audio_key (an upload) or audio_url (a result URL from another"
      },
      {
        "name": "doseedo_detect_chords",
        "description": "Chord detection on audio (a chord chart on the beat grid): chord_spans[{chord, start, end, start_beat, end_beat, confidence}], chords{\"<beat>\": \"Am7\"}, bpm, beats_per_bar, beat_map. Default = the deep ACE detector (GPU-backed, a CPU chroma detector is the automatic fallback); deep:false forces the fast CPU detector. Pass audio_key (an upload) or audio_url (a result URL from another job as returned, or any public https URL). Up to 10 minutes of audio is analyzed. Works best on a harmonic stem (piano/guitar/bass) or a clean mix. Synchronous (~5–30 s). Cancel: not applicable — the result is retur"
      },
      {
        "name": "doseedo_beat_grid",
        "description": "Beat detection / beat tracking: bpm, beats[] (seconds), downbeats[] (seconds), beats_per_bar, downbeat_offset, beat_map[{t, pos}], duration — the grid to place a part against a recording (beat n is at beats[n] seconds). Pass audio_key (an upload) or audio_url (a result URL from another job as returned, or any public https URL). Up to 10 minutes of audio is analyzed. Synchronous (~3–15 s). For key + sections + chords as well use doseedo_analyze_song. Cancel: not applicable — the result is returned in the submit response; the job is already finished."
      },
      {
        "name": "doseedo_check_take",
        "description": "MEASURE a take instead of guessing: give the audio (a render_midi take URL, any recording) and the notes it should play — notes[] + bpm (and tempo_map) or a midi_url — and get back how many written notes were heard at the right pitch and time (recall / precision / f1, octave errors, the first missed notes with their beats), the timing error in ms, loudness (integrated LUFS, peak dBFS, clipped share), any stretch where a note was written but nothing sounds, and a verdict (good / check / bad) with reasons in plain words. doseedo_render_midi results already carry this per take (takes[].check) whe"
      },
      {
        "name": "doseedo_analyze_midi",
        "description": "Check the HARMONY of notes before rendering or placing them: factor a MIDI progression into its sonorities (mode \"midi\", default — chord-detection-free: each segment of simultaneously sounding pitches reduced to an anchor pitch class + register-exact shape, covered with recurring shape cells) or into chord symbols (mode \"chord\": one estimated chord per ~2 beats + a corpus-grammar cell cover with a schedule). Input: notes[] (the rows you would give doseedo_render_midi / set_midi_notes) with bpm, or midi_url (a .mid ≤2 MiB: a doseedo result link such as a stem's MIDI, or a public URL). Synchrono"
      },
      {
        "name": "doseedo_supervise_cues",
        "description": "MUSIC SUPERVISION, for a film whose direction is classical or orchestral: instead of writing every note, each cue is CUT FROM A REAL PUBLIC-DOMAIN SCORE (~1,000 orchestral pieces, Baroque to late Romantic, free to use in a film — no rights holds, no ShareAlike). The search fits each cue: its length to the frame (a passage bent ≤ ~17 % in tempo, cut on a bar line where it must), the cue sheet's turns on the score's own section changes, its hits on real accents, its mode and meter, its level over time (a quiet cue thins a tutti's doublings; the loudest moment lands on the source's own rise), and"
      },
      {
        "name": "doseedo_instruments",
        "description": "The instrument list — the sound palette: every instrument doseedo can PLAY YOUR NOTES on (doseedo_render_midi) — orchestral strings, brass and winds, guitars, basses, keys, drums and percussion, and World instruments (koto, sitar, banjo, pedal steel, tabla, congas…). Each entry gives the EXACT render call (`call`: instrument, plus timbre_preset where one is needed — a koto is the acoustic_guitar model with the koto timbre), its playable range in concert MIDI pitch, whether it plays chords, its presets (pizz, muted, sax registers…) and a demo render. No args → the whole catalog; query:\"warm low"
      }
    ],
    "profiled_at": "2026-11-10T13:00:55.995Z"
  }
}